Beethoven, L. v
Sonate: allegro, op. 101 [esquisses]
SUPPORTS DE COURS
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LIVRES
> Nicolas DONIN, Genèses musicales, Paris, Presses de l'Université de Paris-Sorbonne, 2015.
https://renouvaud1.primo.exlibrisgroup.com/permalink/41BCULAUSA_LIB/1e8s4sk/alma991004012809702852
> François DELÉCLUSE, Dans l'atelier de Claude Debussy : processus créateur et méthodes de composition dans les esquisses des dernières œuvres. 1915-1917, Paris, Sorbonne Université Presses, 2026.
https://renouvaud1.primo.exlibrisgroup.com/permalink/41BCULAUSA_LIB/1e8s4sk/alma991025275742002852
> François DELÉCLUSE (éd.), Esquisses musicales. Enjeux et approches du 19ème au 20èmes siècles, Turnhout, Brepols, 2022.
https://renouvaud1.primo.exlibrisgroup.com/permalink/41BCULAUSA_LIB/1e8s4sk/alma991022929262402852
> William KINDERMAN, The Creative Process in Music from Mozart to Kurtag, Urbana, Chicago et Springfield, University of Illinois Press, 2012.
> William KINDERMAN, Genetic criticism and the creative process : essays form music, literature and theater, Rochester, NewYork, University of Rochester Press, 2009.
> Friedemann SALLIS, Music Sketches, Cambridge, Cambridge University press, 2015.
RESSOURCES EN LIGNE
> Nicolas DONIN (éd.), The Oxford Handbook of the Creative Process in Music, Oxford Handbooks online.
ARTICLES
> Dave HEADLAM, « Sketch Study and Analysis : Berg's Twelve-Tone Music », in College Music Symposium, Vol. 33/34 (1993/1994), pp. 155-171.
https://www.jstor.org/stable/40374254
> Joseph KERMAN, « Sketch Studies », in 19th-Century Music, Autumn, 1982, Vol. 6, No. 2, pp. 174-180, University of California Press.
https://www.jstor.org/stable/746277
> William KINDERMAN, « Genetic Criticism as an Integrating Focus for Musicology and Music Analysis », in Revue de Musicologie, T. 98, No. 1 (2012), pp. 15-42.
https://www.jstor.org/stable/24391942
> William KINDERMAN, « Beyond the Text : Genetic Criticism and Beethoven's Creative Process Journal Article », in Acta Musicologica, [Vol.] 81, [Fasc.] 1 (2009), pp. 99-12.
https://www.jstor.org/stable/27793374
> Emily PAYNE, Floris SCHUILING, « The Textility of Marking : Performer's Annotations as Indicators of the Creative Process in Performance », in Music & Letters, Vol. 98, No. 3 (août 2017), pp. 438-464.
https://www.jstor.org/stable/48561145
PODASTS & CAPSULES VIDÉOS
>
Friedemann SALLIS, « Music Sketches »>
William KINDERMAN, « Feeling New Strenghts: analyser les processus de création musicale: Beethoven's Ninth Symphony and Quartett in A minor, opu 132 »>
Thomas AHREND, « Versions, Variants, and the Performative of the Score: traces of performances in the texts of Anton Webern »
> Emission Métaclassique, "esquisser": intervenants: François Delécluse, Fabien Guilloux, Anna Stoll Knecht, Paolo Dal Molin
bibliothèque
